Mary Biddinger

 

Below, a pair of gems from Mary Biddinger.  Let the record show that The Nepotist might be a little bit in love with her.  (In truth, The Nepotist is in love with all of his poets.)  Maybe you are too.  It doesn't matter.  These poems-- nay, these two seductions-- justify beyond any fickle hiccups of the heart the bright and blazing torch I carry for this poet.  And while I'm on the subject of heart, I think it's Mary Biddinger's own that make these poems beat: that muscle of coyly meted-out craft, the lub-dub of details divulged at the precise instant they will do either the most good or the most damage, her gorgeous organ of tremor and pulse.

Over the few weeks that The Nepotist has been publishing his friends, he has made much of poems that express themselves sincerely and with honest admonitions.  I do not deny this.  What, then, should be made of the guise of coyness these Biddinger poems employ?  Make everything of it.  It's genius.   "Of course they found me," she writes.  And, of course, they would.  For this is a poet who wants to be found-- found out, even-- but on her own terms, with the help of her own clues, and by the heat-seeking surge of her own beautifully throbbing aforementioned heart. 

Thanks, Mary.

 

***

 

Birth of a Vessel

 

It took three tries, and even that

was not enough. Inventors

 

of the triplicate form

in their most lurid fantasies,

 

every layer a pastel slip

peeled from the homecoming

 

queen hours after the last

carnation. The brick wall not

 

the only one laughing.

It wasn’t even real champagne.

 

The wordless trill

of a mimeograph machine

 

longing to be manhandled

like years ago. They

 

put the bottle in my hand.

It shook like a quail.

 

I wanted to build you the wolf

you never had as a boy.

 

But they wanted statistics.

Reams of paper

 

fell from their secret moorings

in the drop ceiling.

 

What else was a mouth for?

Certainly not licensed

 

to operate in this state.

I once believed hiding out

 

was to be expected,

and so I walked spare drywall


sheets up a hill, casual,

the death of all known mystery.

 

Of course they found me.

A switchboard vomited instead

 

of retaining its possessions.

I pretended the wall

 

was a boat. Nobody dared to

avoid the calamity.

 

Inside, the lobby quaked

with ecstasy. I was thankful all

 

of the dogs on the lawn

had been forced into slippers.

 

Squeezed into jerseys

with the eponymous logo.

 

I named the boat subterfuge

and I blessed it.

 

***

 

A Calamity

 

There was a bell without any other bells

in sight. It wasn’t saying anything

worth remembering. Someone stripping

 

off pants in a vestibule, the slow lurch

toward mailboxes lined up like art.

All of the nests left in the branches fell.

 

The slow bob of electrical wires too hot

to make their way to the sidewalk.

I tried to wear a nest as a hat, unsuccessful.

 

There was an interior and exterior, even if

they contained the same filaments,

fibers from a derailed clothes line. Now

 

even the sky is pink. We once shut our room

off from the light. It was too much for

recollection, when the mantle bowed down

 

and winds rearranged what we had placed

in piles weeks before. The first night

somebody had painted all the snow banks

 

with food coloring. The neon escaped its

prison, and rode with us over hills

situated only minutes before. An explosion

 

of the most tender variety. The very moment

when a crack began its journey down

a major city artery. We were not available

 

for commentary. Let official records reflect

the following. Enough wool to cover

only the extremities. Enough wool to drop

 

onto linoleum without sound. A tree leaning

in a way that suggested a revelation.

A single rustle from the most anxious sky.

 

***

About the Poet:

Mary Biddinger lives in Akron, Ohio, where she teaches, edits, and writes poems about epic love.

 

On the identity of The Nepotist:

I beat The Nepotist in a double-dutch competition on the south side of Chicago in late July of 1983. Afterwards we shared an orange Popsicle on the zebra-print couch in my parents’ basement. Because of this intense connection, society forbade us from publishing each other’s work, until now.

Comments

CJ
These rock.

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